Are you wondering what author’s rights and copyright mean in the legal and technological context of 2025? This article clarifies these often-confused concepts while summarizing the most important information on protecting, utilizing, and complying with related regulations. Whether you’re a creator, business, or content user, understanding these basics helps you avoid legal risks and optimize the value of your intellectual property.
Similarities Between Author’s Rights and Copyright
Criteria | Author’s Rights | Related Rights (Copyright-Related) |
Concept | Rights of individuals/organizations over works they create or own. (Clause 2, Article 4, IP Law 2005, amended 2009) | Rights over performances, sound/visual recordings, broadcasts, encrypted satellite signals. (Clause 3, Article 4, IP Law 2005, amended 2009) |
Rights Holders | Authors, co-authors, employers/contracting parties, heirs, transferees, the State. (Article 36, IP Law 2005, amended 2022) | Performers, producers of recordings, broadcasting organizations. (Article 44, IP Law 2005, amended 2022) |
Origination | Arises when a work is created and expressed in physical form, regardless of publication or registration. (Clause 1, Article 6, IP Law 2005) | Arises when performances, recordings, or broadcasts are fixed or performed, without harming author’s rights. (Clause 2, Article 6, IP Law 2005) |
Protected Subjects | Individuals/organizations with protected works (authors and right holders). (Article 13, IP Law 2005) | Performers, entities fixing sounds/images of performances, broadcasters. (Article 16, IP Law 2005) |
Types of Work Protected | Literature, science, teaching materials, journalism; music, theater, cinema; fine arts, photography, architecture; maps, software, databases; derivative works (non-infringing). (Article 14, IP Law 2005, amended 2009) | Performances in Vietnam or by Vietnamese; recordings by Vietnamese/national entities or per international treaties; broadcasts/satellite signals by local or treaty-aligned broadcasters. (Article 17, IP Law 2005) |
The terms “author’s rights” and “copyright” originated from different legal traditions but address similar objectives: protecting authors and rights holders over creative works.
In daily use, the terms are often interchangeable. However, in Vietnam, “author’s rights” is the official term used in legal and formal contexts.
Note: While protection arises upon creation, registration strengthens evidence of ownership and simplifies enforcement.
In the digital age, where content is widely shared online, protecting intellectual property is more critical than ever. As a pioneering company in Vietnam, BH Media offers comprehensive copyright management services and supports thousands of creators, artists, and production houses to secure their rights in the digital environment.
BH Media provides:
BH Media is not just a copyright defender but a reliable companion to Vietnam’s creative community, promoting a transparent, fair, and sustainable content environment.
Definitions:
Rights Holders:
Content Scope:
Origination:
Legal Framework: Both governed by Vietnam’s IP Law.
Protection Period:
Application:
Conclusion In today’s booming content landscape, understanding and protecting author’s rights and copyright is crucial for individuals and organizations to safeguard legitimate interests and foster sustainable growth. Proper copyright management not only prevents legal disputes but also unlocks economic value. With years of experience in digital content, BH Media proudly supports thousands of creators, artists, and businesses in registering, protecting, and commercializing their author’s rights and copyrights in a transparent, professional, and effective way.